Showing posts with label Kate-Buller-does-it-again. Show all posts
Showing posts with label Kate-Buller-does-it-again. Show all posts

Tuesday, July 17, 2012

The new Rowan Magazine is here!

Nothing gets me in the mood for fall like a new Rowan Magazine. After taking a look at the patterns in the just-released Fall/Winter Magazine (Number 52), I am even more ready for cooler weather. My wonderful friends at Rowan sent me a review copy of the brand-new magazine, and I am delighted to give you a look at the beauties inside.



I was excited when I saw the cover of Number 52: to me, the lovely model with the English rose complexion boded a wealth of classic British designs. Sure enough, the first story is titled "Hebridean," filmed on the grounds of a Scottish castle overlooking the firth, and featuring gorgeous stranded knits inspired by the north.

For starters, take a look at Marie Wallin's Harris, combining Celtic intarsia motifs with a striped background;



Julie Frank riffs on a plaid-like pattern in the Kirkwall Wrap:



and my bestie Martin Storey opts for intricate overall motifs in Tiree.



At the top of my list is the luscious Bute sweater, women's version, by Lisa Richardson, with a delightful muted palette mixing Colourspun and Felted Tweed.  Wow.



I think I would skip the elbow pads, which are shown in some of the other photos, because it would kill me to sew something over that gorgeous stitchwork.

Bute is rivaled only by Kintyre, by Marie Wallin, in whichWool Cotton, Kidsilk Haze and Pure Wool DK create this beautiful meshing of multiple motifs, with simple lines,



and Orkney, also by Wallin, with traditional motifs in a brighter set of colours.



Okay, I also really love Uist, a cardigan with textured sleeves and colorwork body, by Jennie Atkinson,



and the Tobermory vest, by Marie Wallin. Hurrah for stranded knitting!



There are some other men's garments in this story, too, like Martin Storey's Mull, another riff on plaid, knit in Rowan Fine Tweed (left, below), and Brandon Mably's fabulous vest Skye (on the right):



The second story is called "North Sea," inspired by the Scottish coast and traditional fishermen's knits. That minx Josh Bennett is back, saucily mixing traditional stitch patterns in the wonderful Fastnet:



The gorgeous Sarah Hatton gives him a run for his money in the terrific guy sweater department with Plymouth, knit in Pure Wool Aran:



Men will also want to check out Martin Storey's cabled Fisher


and cardigan Viking;



Marie Wallin's Lundy, knit in the scrumptious Cocoon, comes in a men's and women's version (women's version is left, below) and Lisa Richardson uses the favorite Creative Focus Worsted in the clever colorshifting Fitzroy (right):


Ladies, do not be worried, there are plenty of cabled and textured goodies for you, too, like the cover sweater, by Ruth Green (right below), as well as Wallin's Shannon, knit in Kid Classic (which is a wonderful yarn that I think people sometimes overlook simply because it isn't brand-new):



Sarah Hatton's Utsire, also knit in Kid Classic (I might keep going on that one, in order to cover my belly button with a longer length, but I am way older than sweet Sarah);



and Amanda Crawford's Dover, which would knit up in a jiffy given its cut-out front neckline.



By the way, the gorgeous background for this photo shoot was Fife, Scotland.

Last, the Essentials feature is back, showing "key shapes and textures on trend," helping people figure out which designs and styles are the must-have looks for the fall season. This is a fun feature, as the sweaters are shown in a less styled manner, and several of them aim for a more trend-conscious look, rather than a classic style.  You'll find a chunky fisherman's rib tunic:

Ruby, designed by Marie Wallin

a highly-textured turtleneck pullover (left, below); a long mesh sweater with central cable panel (in purple on the right);

Ebbe, by Marie Wallin (L); Fala by Martin Storey (R)


a charming bobbular cardigan;

Beatrix, by Sarah Hatton


an Eileen-Fisheresque "weave texture sweater," and a tank or vest with an interesting colorwork/textured stitch pattern, among others.

Addison, by Amanda Crawford (L); Igy, by Lisa Richardson (R)

As usual, the articles are interesting, particularly the one on Kaffe Fassett's jubilee celebration, which also contains a special Jubilee Throw and sweater, designed by him:



Which brings me to an important reminder:  you'll want to pay attention to the downloads that are available on the Rowan website (you'll need to register). The two Kaffe Fassett patterns, above, are only offered via online PDF download, but several other lovely garments are also offered exclusively on the Knit Rowan website, like this crossover cardigan by Sarah Dallas.



Back to the Magazine:  you'll also find an interview with artist Shauna Richardson, and her cultural Lionheart project in crochet; an article on "heritage knitting," i.e., fair isle, aran and gansey knits; an interview with new Rowan designer Ruth Green; a feature on wool, part of a new series highlighting facts about fibers used to make knitting yarns; a preview of the book Kaffe Quilts Again (coming this fall); and background information on the castle where some of the garments were photographed.

Rowan 52 officially went on sale July 15th and should be arriving at a yarn shop near you soon.  (For my Philadelphia friends, Loop Yarn will have Rowan 52 along with other new fall goodies from Rowan in early August.)






Friday, August 05, 2011

Rowan Magazine 50: Fall preview

Around the middle of summer each year, I get cranky. I am not a summer person, and I do not like hot weather. By the fourth of July I am already eager for cooler weather, back-to-school shopping, and all the fun that fall brings -- with many weeks left to go in our muggy Philly summers. But if there is one redeeming thing about this time of year, when the summer seems all used up and everyone's ready for a change, it's this: ROWAN MAGAZINE TIME!

Every August, just when I'm ready to grab a pitchfork and torch



and march on the school administration building, demanding they start the fall term RIGHT NOW, I get a little blast of refreshment when my new Rowan fall magazine arrives. This year is a special one for Rowan: it's the fiftieth Rowan Magazine to be published. It's fat, it's full of gorgeous patterns, and it is making me so damn happy right now.



Cover featuring Hawthorne Cape (Marie Wallin)
& Beech Mittens (Erika Knight)

The first "story" (as Rowan always calls them) is Wildwood. Now while Wildwood conjures up decidedly un-knitting-like images for many of us Americans who vacation at the Jersey Shore

betterbench

rest assured that Rowan is talking about whole different kind of Wildwood. Instead of thongs and board shorts, we see "heirloom arans, exquisite florals and handcrafted crochet using the rich autumnal colours of the Briitsh rural countryside."

This section begins with a gorgeous autumnal intarsia sweater by Kaffe Fassett


Holly (Kaffe Fassett)

(is that photography not exquisite?)

a lovely coat with floral motif by Marie Wallin:


Robinia (Marie Wallin)

cabled cape and mittens (shown on the cover), and this lovely stranded design in Felted Tweed:


Maple (Marie Wallin)

My new BFF Martin Storey presents this lovely tunic/vest with more floral motifs


Hornbeam (Martin Storey)

and two sweaters with still more lovely florals, like this one:


Elm (Martin Storey)

I cannot show all 39 designs from the Magazine on this bandwidth but I have to show this scrolling cable number


Laurel (Marie Wallin)

and the lovely stole (also by Kaffe Fassett) which melds colors of KidSilk Haze so beautifully.

Alder Wrap (Kaffe Fassett)

After the first story, you'll find an article about Shetland lace (interesting), and then "Finesse." This group of patterns is inspired by the curve-hugging silhouettes of the 50s and 60s, with more understated design elements. "Betty" features a stranded yoke and cropped shape;


Betty (Marie Wallin)

Bonnie, by Martin Storey, is a very vintage-feeling cabled sweater with lovely lines;


Bonnie (Martin Storey)

You'll find this peekaboo cleavage number


Connie (Jennie Atkinson)

and a design that cleverly uses sheerer mohair for the arms and shoulders but more opaque Cashsoft DK for the bodice.


Molly (Marie Wallin)

The photography, in an historic Derbyshire abbey, is simply smashing.

Next up is an article looking at then and now in the lives of various Rowan designers, and a shorter feature on the virtues of British wool. Then comes "Winter Essentials," the last story, with a neutral color palette and an emphasis on updated, stylish basics. Once again, Martin Storey shines with a tie-front tunic (like the interesting use of cables)

Compassion (Martin Storey)

but I was especially taken with friend-of-GKIYH Sarah Hatton's slightly cropped cabled sweater "Affection"


Affection (Sarah Hatton)

and the chunky-knit "Cordial". (Sarah Hatton is way cool, and I had a blast drinking wine with her at VK Live in New York.)


Cordial (Sarah Hatton)

There are lots of other wonderful sweaters in this story, including the lace tunic by Amanda Crawford


Amour (Amanda Crawford)

a top that uses the drape of Kid Silk Haze to create a cowl-like draped front


Love (Marie Wallin)

and several cardigans that balance style with versatility. (If I make this cardigan, there is a very real danger I will wear it every day.)


Generous (Grace Meville)

After the last of the patterns, there's a sneak preview of the upcoming quilting book by Kaffe Fassett and Liza Prior Lucy featuring Swedish-inspired designs (I'm drooling already) as well as a list of the coming books and booklets by Rowan designers (ditto).

Rowan has recently updated their website and you can now see all of the book's designs here.

It's wonderful to know that in this ever-changing world, one thing has stayed the same: the gorgeous knitwear, terrific styling and amazing photography of a new Rowan fall Magazine. When you consider that you get all of these patterns for less than a buck apiece (the Magazine sells for around US$23 and you get 39 patterns), it is a phenomenal value. More importantly, from an emotional standpoint, with the first day of school still a whole month away, I don't know if I could make it until Labor Day without it.

UPDATE: Thanks Meezermeowy for reminding me to point out that Rowan has greatly expanded its size ranges, with many of the designs going to XXL, to fit 48-50-inch chest size with finished circumferences in the high 50-inch range.

Coming soon: a look at the new fall yarns from Rowan....