The new Rowan Magazine is here!

Nothing gets me in the mood for fall like a new Rowan Magazine. After taking a look at the patterns in the just-released Fall/Winter Magazine (Number 52), I am even more ready for cooler weather. My wonderful friends at Rowan sent me a review copy of the brand-new magazine, and I am delighted to give you a look at the beauties inside.

I was excited when I saw the cover of Number 52: to me, the lovely model with the English rose complexion boded a wealth of classic British designs. Sure enough, the first story is titled "Hebridean," filmed on the grounds of a Scottish castle overlooking the firth, and featuring gorgeous stranded knits inspired by the north.

For starters, take a look at Marie Wallin's Harris, combining Celtic intarsia motifs with a striped background;

Julie Frank riffs on a plaid-like pattern in the Kirkwall Wrap:

and my bestie Martin Storey opts for intricate overall motifs in Tiree.

At the top of my list is the luscious Bute sweater, women's version, by Lisa Richardson, with a delightful muted palette mixing Colourspun and Felted Tweed.  Wow.

I think I would skip the elbow pads, which are shown in some of the other photos, because it would kill me to sew something over that gorgeous stitchwork.

Bute is rivaled only by Kintyre, by Marie Wallin, in whichWool Cotton, Kidsilk Haze and Pure Wool DK create this beautiful meshing of multiple motifs, with simple lines,

and Orkney, also by Wallin, with traditional motifs in a brighter set of colours.

Okay, I also really love Uist, a cardigan with textured sleeves and colorwork body, by Jennie Atkinson,

and the Tobermory vest, by Marie Wallin. Hurrah for stranded knitting!

There are some other men's garments in this story, too, like Martin Storey's Mull, another riff on plaid, knit in Rowan Fine Tweed (left, below), and Brandon Mably's fabulous vest Skye (on the right):

The second story is called "North Sea," inspired by the Scottish coast and traditional fishermen's knits. That minx Josh Bennett is back, saucily mixing traditional stitch patterns in the wonderful Fastnet:

The gorgeous Sarah Hatton gives him a run for his money in the terrific guy sweater department with Plymouth, knit in Pure Wool Aran:

Men will also want to check out Martin Storey's cabled Fisher

and cardigan Viking;

Marie Wallin's Lundy, knit in the scrumptious Cocoon, comes in a men's and women's version (women's version is left, below) and Lisa Richardson uses the favorite Creative Focus Worsted in the clever colorshifting Fitzroy (right):

Ladies, do not be worried, there are plenty of cabled and textured goodies for you, too, like the cover sweater, by Ruth Green (right below), as well as Wallin's Shannon, knit in Kid Classic (which is a wonderful yarn that I think people sometimes overlook simply because it isn't brand-new):

Sarah Hatton's Utsire, also knit in Kid Classic (I might keep going on that one, in order to cover my belly button with a longer length, but I am way older than sweet Sarah);

and Amanda Crawford's Dover, which would knit up in a jiffy given its cut-out front neckline.

By the way, the gorgeous background for this photo shoot was Fife, Scotland.

Last, the Essentials feature is back, showing "key shapes and textures on trend," helping people figure out which designs and styles are the must-have looks for the fall season. This is a fun feature, as the sweaters are shown in a less styled manner, and several of them aim for a more trend-conscious look, rather than a classic style.  You'll find a chunky fisherman's rib tunic:

Ruby, designed by Marie Wallin

a highly-textured turtleneck pullover (left, below); a long mesh sweater with central cable panel (in purple on the right);

Ebbe, by Marie Wallin (L); Fala by Martin Storey (R)

a charming bobbular cardigan;

Beatrix, by Sarah Hatton

an Eileen-Fisheresque "weave texture sweater," and a tank or vest with an interesting colorwork/textured stitch pattern, among others.

Addison, by Amanda Crawford (L); Igy, by Lisa Richardson (R)

As usual, the articles are interesting, particularly the one on Kaffe Fassett's jubilee celebration, which also contains a special Jubilee Throw and sweater, designed by him:

Which brings me to an important reminder:  you'll want to pay attention to the downloads that are available on the Rowan website (you'll need to register). The two Kaffe Fassett patterns, above, are only offered via online PDF download, but several other lovely garments are also offered exclusively on the Knit Rowan website, like this crossover cardigan by Sarah Dallas.

Back to the Magazine:  you'll also find an interview with artist Shauna Richardson, and her cultural Lionheart project in crochet; an article on "heritage knitting," i.e., fair isle, aran and gansey knits; an interview with new Rowan designer Ruth Green; a feature on wool, part of a new series highlighting facts about fibers used to make knitting yarns; a preview of the book Kaffe Quilts Again (coming this fall); and background information on the castle where some of the garments were photographed.

Rowan 52 officially went on sale July 15th and should be arriving at a yarn shop near you soon.  (For my Philadelphia friends, Loop Yarn will have Rowan 52 along with other new fall goodies from Rowan in early August.)

No-Bull Book Review: Stitch London, by Lauren O'Farrell

Having just spent several wonderful days with some incredible Brits at VK Live, it is perfect timing for me to show you a book called Stitch London: 20 Kooky Ways to Knit the City and More, by Lauren O'Farrell (David and Charles 2011).  I recently received a review copy of this book, which was released last fall, so let's set off on another No-Bull Book Review.

Stitch London is a paperback book, roughly 9 inches square, and it's bursting with color, line drawings, photos and funky design (MSRP $22.99, available for $14.99 through the link above as of the time of this writing). Its mission is simple:

In the midst of pointy spires, shiny skyscrapers, sloshy riversides and scurrying stitchers, Stitch London was born of the fact that I can't help but see London knitwise. And I'd like everyone else to see London knitwise, too.

O'Farrell goes on to assure the knitter that her book consists of "squee" knits -- knits that will inspire in the viewer the uncontrollable urge to shout "squee!":  "The patterns aren't fancy-schmancy and they don't require you to be a sage of stitching. All you need is basic knitting knowledge, a willingness to switch on the part of your brain that has crazed ideas and let it run things for a while, and a total lack of yarn snobbery."

She urges the reader to experiment and riff off her patterns, advising "Grab them by the stitches, twist them, shake them, turn them purple, love them, hug them and call them George. . . . Mix buttons, pipe cleaners, watch cogs, cat hair, glitter glue, beads and all manner of crafty bits togehter with your knitting and see how they get on."

Before launching into patterns, Stitch London provides the reader with some introductory material.  O'Farrell explains her difficulty ratings and abbreviations; lists essential and non-essential supplies; provides some knitting translations to ease the transition from UK to US; gives a needle/hook conversion chart; and (my favorite) provides some London slang.

Next up are the patterns.  First chapter is "Little London Landmarks," and provides miniature knitted versions of Big Ben,

the Tower Bridge, and the characteristic red phone box -- all adorable and charming.  "Little Londoners" focuses on people, from the Queen (with corgis), a beefeater (with black fun fur for the hat, natch), and police officers.

"Rat Race London" takes the focus away from knitted minis to full-sized items -- a scarf with a knit-in pocket for your Oyster card (a transportation e-pass), a book cozy to protect your reading material, and a bag cover (with mulitple versions, including the Union Jack version shown below).  "Work work work" provides you with a laptop cover, in several versions, and mug cozies (also with several versions).

"City Critters" looks at the non-human citizens of London, including Cooey the Pigeon (I think I met Cooey when I was at Trafalgar Square), a raven, a mouse, and a fox. "The Great Outdoors" features a picnic blanket made from recycled plastic bags, bugs (also made from recycled plastic bags) and Umbrella Fellas, little stuffed creatures to hang from your umbrella handle.

Stitch London concludes with technical information, including about a dozen or so pages on how to knit and other skills (e.g. cast on, decreases, increases).

My book even came with yarn, teeny needles and pipe cleaners (for whiskers) sufficient for the knitting of Cooey the Pigeon. (Visit the book's web site for more gratuitous knitted pigeon photos.)

These patterns are all one size or accessories, so other than the designs meant to cover things (like mug and laptop covers), where you'll have to keep an eye on gauge so they fit the object, there aren't any sizing issues. The patterns generally take relatively small amounts of yarn in various colors, good for using up stash and leftover balls. The yarn weights tend to be middle-of-the-road thickness, mostly DK to worsted weight. Newer knitters need to know that O'Farrell has a very loose approach to yarn category, quantity and thickness, and this may cause agita if you are used to following instructions exactly. For example, yarn quantities are given as ounces and grams rather than yards and meters.  Yarn categories are fuzzy; for example, patterns list "DK (worsted) yarn", by which O'Farrell suggests that "DK" is used in the UK for the weight of yarn called "worsted" in the US.  Rather than bicker over it, allow me to suggest that since the vast majority of these patterns are for things that aren't going to require fit in the sense that a sweater does, and since most of them require only small amounts of yarn since they are for small toy-like objects, that you can use small amounts of either category 3 or 4 yarn, depending on what you have.  If you use all the same yarn weight within a single project, you should be okay, although the finished object may end up a wee bit bigger or smaller.  You can also fiddle with changing needle size to compensate for small variations in yarn weight.

To sum up, Stitch London is a breezy, fun book filled with adorable models of various British icons, as well as some patterns for cozies and a picnic blanket and other odds and ends. Most of the projects require relatively small amounts of yarn and are perfect for using up leftover bits. With the London Olympics round the corner, and a new season of "Downton Abbey" on the telly, Stitch London will go down easier than a cup of Yorkshire Gold or a pint of bitter.  God save the Queen!